

There are now four books in this series, with the latest, Blood Promise, only just released last month. Richelle Mead has other series as well, but it is this one that has been such a big hit, on the back of Twilight. As well, the author has been in Australia promoting the latest one, so this has been a coup. Stephanie Meyer come to Australia? Not likely (I know because we asked her).
These are the first 3 books. The first one was published in 2007. The next two came out in 2008, probably 6 months apart. Now the fourth one, and two more already anticipated in 2010.
I have resisted these from the beginning. Haven’t wanted to buy TOO many Twilight rip offs. But who is ripping off who? It’s difficult to know. But my resistance was weakened when someone handed me a copy of the fourth one for free!! Come on people – it was free!
So I went and bought the other three and got stuck into them. First thing to know? This is a vastly different take on the vampire universe than Stephanie’s Meyer, which, as I have said before, isn’t a bad thing. In this world, there are two types of vampires – the Moroi (the goodies) and the Strigoi (the baddies). Plus there are people like Rose. Our main character is a Dhampir – Half human, half vampire, dedicated to protecting Moroi from Strigoi.
Mead’s universe is detailed and consistent. If I have any complaints it is that she seems not to trust that we have read the previous books. The books suffer from too much repetition of both the way the world works and of the narrative. Might be why Blood Promise is so thick.
Rose is feisty, a little bit whiny, but also strong and fearless. The books do a good job of slowly revealing their hidden depths, so they build nicely to climactic ends. Each one deals with its own mystery, its own villain, but as we go through them, a bigger picture emerges, and this layer within a layer makes them that bit more subtle and complicated than the Twilights.
Also, even though we have Rose’s perspective, there are many male characters around her, and instead of the romance driving the narrative, these arevery much the other way around. Rose and Lissa (her charge) are often in danger. This is what moves the book forward. And the romance is on the side – Who does Lissa fall for? How about Rose? Who isn’t falling for her? So in this other significant way, the VA books distinguish themsleves from Bella & Edward.
I will be putting them on the shelves next term. If they seem to appeal to you, seek them out. Then tell me what you think.
Measuring Up is Gabrielle Stroud’s first novel, and she does a pretty bung up job of it (that’s good just in case you aren’t sure). The main character, Jonah (known as ‘Feet’), is in his last year of high school, is a mad keen surfer, and is secretly mad keen on one of his best friends, Mel.
The book follows him through this last year of high school. There are of course many issues he has to deal with, relating to family and friends – both good and bad.
What I liked best was the authentic voice of Feet. He sounds like a real boy. I may be wrong – perhaps they don’t think like this at all. But I think may be they do. The book moves quickly and is packed full of incidents.
I recommend it.
I found this link. I find this discussion very interesting and never ending. It seem everyone has an opinion and they are always extreme.
There have been a couple of books this year I couldn’t finish because I just found them too harrowing. Kill the Possum was such such title. The Knife of Never Letting Go was also very intense and confronting. (I am yet to take on the sequel). I did actually manage to get through that one.
But as a teenager, I devoured all of Robert Cormier, and if you have ever read The Chocolate War or The Bumblebee Flies Anyway you will know they are not easy reads either. Maybe it’s something about being young that makes living on the edge, reading about extreme behaviours, seem so dangerous and exciting.
Someone said to me yesterday, ‘Realistic is mutually incompatible with YA fiction’ which is interesting in itself, but in this context, a lot of authors who write the gritty stuff would argue that’s why their material works and is popular with kids – because it resonates with them. For me it was the case of the opposite. Cormier’s books presented a side of life I would never experience, so I was fascinated with these views of teenage terrorists, drug addled bullies and mentally disturbed boys.
I wonder what you think? Is there such a thing as a book that’s TOO dark? And this is in a realistic sense, not in a Lord of the Rings Sauron type way, with exploding volcanoes and fiery dragons. This is about teenagers facing situations in their life that could actually happen.
(If you are interested, here’s a list of titles, just off the top of my head):
Crossing the Line Di Bates
Sleep Rough Tonight Ian Bone
Night Train Judith Clarke
Dogs Bill Condon
Before I Die Jenny Dowham
Surrender Sonya Hartnett
Marty’s Shadow John Heffernan
Brown Skin Blue Eyes Belinda Jeffrey
Dreamrider Barry Jonsberg
When the Hipchicks went to War Pamela Rushby
Broken Glass Adrian Stirling
Our Little Secret Allayne Webster